The feud between the two pop singers, Katy Perry and Taylor Swift, has been heating up since Katy Perry’s appearance on James Corden’s Carpool Karaoke on 22 May 2017. Katy Perry addressed the feud between the two which started back in 2012 when Katy stole Taylor’s backup dancers for her RED-tour, as well as some lapse in communication between the two. Katy seems to lay the blame before Taylor’s feet, as she explains that she tried to smoothen things out numerous times. Katy mentions in her statement that “It was a full shutdown and then she writes a song about me…that’s how you want to deal with it? Karma!”
Karma! Sounds like Swish Swish, Perry’s new single, is written about the feud and Taylor Swift. “Karma’s not a liar, she keeps receipts”. Swish Swish is a reaction to Taylor Swift’s Bad Blood which is written about Katy and evidently be they were close in 2009 (“mad love”) to enemies and feuding in 2012 (“bad blood”). To put gasoline on this already burning fire, both singers speak about bullets in songs. Katy mentions bullets in her song, Bullet, saying “I’m a bullet and I’m headed/Straight for you heart (yeah)/Be careful what you start!/I’m a bullet and I’m headed/Straight for you heart (yeah)/It’s gonna leave a mark!”. I know that this song is intended for a boy who broke her heart as the song continues. But then again, Taylor sings in Bad Blood that “Band-aids don’t fix bullet holes/You say sorry just for show/If you live like that, you live with ghosts”. That just answers to Katy’s apologises that appears to be insincere.
I am not going to go into all the glory, or rather gory details, of the feud. On 9 June 2017, precisely on 00:00, Katy Perry’s Witness album launched worldwide. At that same time, Taylor Swift had uploaded all five her albums on Spotify, as well as opened it to Amazon Music and Pandora Premium. Her albums also trended to be on discount on iTunes. This sudden launch seemed peculiar as Swift had indifferences with Spotify in 2014 just before her launch of her pop album 1989. The launch seemed to be throwing shade on Katy’s Witness album, and ultimately fans of Katy, as well as Taylor’s called her out to be sneaky, fake and a vindictive snake. Couldn’t she launch it a week later? The official reasoning for the release is that Taylor Swift’s last album, 1989, sold 10 million copies. But it seems that that isn’t the reason for this relaunch on Spotify. It seems to be the new licensing deal between her distributor, Universal Music Group, and Spotify, and the realities of releasing music in 2017. The modern age of music is online and digital.
Regarding the feud, that spurs the moment of media, I personally think that Katy Perry opened old wounds on James Corden’s Carpool Karaoke. If she didn’t mention or emphasise this feud, the media would have left it in the ashes. But as the phoenix rises out of the ashes, Taylor came to act with music, rather than words to console. If Katy really wanted to console, she would have left this feud out of the media. Perhaps, Katy brought up the feud for attention and media, publicity. It would make sense. (New Album needs promotion. Her tour. American Idol.) Although, Taylor was vindictive and shallow, her means may be to put someone in her place. Their friendship may have been treacherous and buried with bad blood, but their feud is hot and cold as their words and actions roar upon the media’s attention.
As you know singers write about their own lives, experiences, heartache, pain and joy. Taylor is known to write her pain into her songs. Just like a breakup song, Taylor motioned her feud into songs. Katy had done the same. Let’s refer to a few examples:
- Katy: (Ghosts) “And now you’re just a ghost/When I look back never would have known that/You could be so cold”
- Taylor: (Bad Blood) “If you live like that, you live with ghosts (ghosts)”
- Katy: (It takes one, to know one) “Cause’ it takes one, to know one/Congrats you’ve met your match/You think I’d lie here, heartbroken/(I’d-lie-here)/But the knife is in your back/(In-your-back)”
- Taylor: (Revenge) “R-E-V-E-N-G-E My list of things to do this week/Jealousy, misery, gonna give you what you gave to me/Make you feel so B-A-D/Break you, make you sorry/I hope you cry getting my R-E-V-E-N-G-E”
- Katy: (Roulette) “Playing by the rules in this game of life”
- Taylor: (Better than Revenge) “Soon she’s gonna find/Stealing other people’s toys/On the playground won’t/Make you many friends”
FAIRY TALES and MOVIES:
- Katy: (Not Like The Movies) “I didn’t feel the fairy-tale feeling, no./Am I a stupid girl for even dreaming that I could?/If it’s not like the movies,”
- Taylor: (If This Was A Movie) “But if this was a movie you’d be here by now/It’s not the kind of ending you wanna see now” and (Today was a fairytale) “Today was a fairytale/You were the prince/I used to be a damsel in distress”
- Katy: (Save as draft) “I could just throw a line to you/But I should let sleeping dogs lie ’cause I know better, baby/I write it/Erase it/Repeat it/But what good will it do/To reopen the wound/So I take a deep breath/And I save as draft”
- Taylor: (Writing Songs About You) “I’ll keep writing songs about you/I’ve got a stack of papers so high/And it’s all about you baby/Keep thinking maybe I/Can make sense of something crazy/Something I can’t get out of my Head/I write your name I write your name/Then I tear it all to shreds”
It is evident that although these two singers are feuding, their hearts write the songs that speak similar languages to their audience. Perhaps, this feud motivates and inspires them to challenge and compete to be better artists and songwriters.
Let’s WITNESS how these two brilliant artists be FEARLESS in a world where our (Perry and Taylor) minds are in a maze spiralling into the media’s hands.